This technique page is entitled “Cameras”, and not “Photography”. This is because I know very little about taking good photos, and have no useful advice to share.

This page, rather, is about what sort of camera you should take climbing with you, how you should protect it, and how to make your camera be your guide.

This advice is written for folks primarily interested in climbing long routes, and secondarily interested in documenting those climbs. Professional photogs intent on producing the best possible images will want to bring big cameras (DSLRs), many lenses, filters, etc. This is too heavy for me.

For climbers/amateur-photogs looking to show off their climbs to family, friends, there are fortunately some very high quality compact cameras on the market. I use the Canon Powershot S95:

Canon has also just released the S100, featuring the same dimensions, but across-the-board improvements to the images sensor, lens, video capability, and processor.

I won’t bore you with all of the specs, I’m sure if you’re going to invest in a nice camera, you’ll do your own research, or at least listen to someone who actually knows what he’s talking about. I’ll just say that nearly every photo on this blog was taken with my s95, and my friend Cheyne and I both had S95’s this past season in Patagonia, and we used them to record all of the footage in this awesome movie that he put together (well, all of the climbing footage is from the S95, the interviews, bouldering, and in town stuff is from his DSLR).

Regardless of brand, though, I would strongly recommend finding a camera with full manual controls. This will allow you fundamentally understand the mechanics of photography, as well as giving creative options like tight depth-of-field shots and long exposures shots.

Protecting your camera

Whichever camera you choose, it probably won’t be naturally suited to a life on the rocks. You’ll need to protect it with a good case, and rig a system to prevent dropping it. I like a lightweight soft nylon case, as opposed to a bulky hard plastic case. Soft cases offer a bit less protection, but for me the lighter weight and comfort of a soft case make me more likely to bring my camera along.

To prevent dropping your camera, rig your case on a shoulder length sling, so that you can wear while you climb. I prefer this to clipping it on my harness for two reasons: It’s more accessible, and I can easily flip the camera around if I’m in a tight chimney or corner. Clipped to the back of your harness, you’d have to unclip the case in order to move it around and prevent it from getting crushed while you’re desperately squirming in a tight spot.

Once you’re attached your case to you via the sling, attach the camera to the case with a short length of 3mm cord. Easy.

Camera Case. The red cord is attached to the camera itself, as well as the case and shoulder sling.


On longer climbs, where I’ll be away from chargers and my computer, I love to have a spare camera battery and memory card. With plenty of power and space, you won’t worry about shooting tons of pics and video. SD cards are pretty cheap everywhere, and you can find cheap, generic-brand backup batteries on ebay.

And, of course, make sure to offload all your photos and fully recharge your batteries before going on a long climb.

A mini-tripod is a lightweight accessory that adds a lot to your photos. You can make long-exposure nighttime shots, fully-zoomed crisp beta shots, or self portraits with a tripod.

I just got a Joby Micro tripod, and it’s awesome! At just 26 grams, you shouldn’t hesitate to bring it everywhere, and it folds up underneath your camera so it’s always ready.


Not only is a camera useful for recording memories of a trip, but it can also be very helpful while you’re climbing.

-Snap photos of topos, guidebooks, or maps before the climb, and then access them while on route.

-Take a series of beta photos of your objective during the approach. Shots from different angles and in different lights will allow you to see different vague crack systems on a massive face, which will all come in handy later when you’re on route and wondering which crack to follow. As mentioned above, a tripod is very useful for stable, and therefore crisp, zoomed-in shots.

-Take photo bread crumbs during a complicated approach. At crucial spots, like when you’re leaving a trail, crossing a stream, or gaining a glacier, take a photo of the area, looking for distinctive features. Later, perhaps while descending in the dark, you might be able to use the breadcrumbs to pick out a certain tree or rock that will confirm you’re on the right course.

2 thoughts on “Cameras

  1. Your blog was recommended by a friend and I was pleasantly surprised. I used to climb quite a bit, but don’t after some knee issues and hitting my 50s. But I still get out for some backcountry backpacking adventures and ski as much as I can.
    I find your blog to be well-written and contain excellent photos. A nice mix of each that doesn’t get bogged down with too much navel-gazing. I especially like how you show with a photo what you mention in your blog to excellent effect. You really make your photos worth a thousand words.
    I also liked your gear review. Were I still in the game, I’d be checking out some of the items you mentioned, especially the lightweight boots. And your camera setup is nice, too. I’m stealing that, but probably won’t trade my Joby Gorillapod for the Micro any time soon. I like the versatility and ability to wrap it around stuff; branches, rocks, wedging in cracks, etc.
    So thanks for your blog. I enjoy it and wanted to pass along that fact, as well as why I think it’s good. Keep up the good writing and photography.

  2. Scott,
    I lived in Four Mile Canyon (in Sunset) and in Gold Hill before that. A friend sent me your coverage of the flood this September and I want to tell you how much I appreciate the photographs. I have many friends that live up both canyons and because the lines were out I couldn’t reach but one family. I just made a circuit via the Gold Hill road and down the Switzerland Trail to Sunset. By then (Oct 8) I drove down the canyon and witnessed the aftermath. The repairs seem to be going well.
    We left after the Four Mile Fire and now are in Loveland.
    Thanks again!
    Kathleen Gibson

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s